This is a public version of the members-only Gypsy Jazz & More with Andreas Oberg, at ArtistWorks. Functionality is limited, but CLICK HERE for full access if you’re ready to take your playing to the next level.

These lessons are available only to members of Gypsy Jazz & More with Andreas Oberg.
Join Now

Guitar Basics
Introductory Guitar Concepts for All Players
 ≡ 
Tricks & Techniques
An Assortment of Techniques for Specific Playing Situations
 ≡ 
Jazz Basics
Introductory Jazz Guitar Concepts
 ≡ 
Jazz Advanced
Advanced Jazz Guitar Concepts
 ≡ 
Gypsy Guitar
Concepts and Techniques for Playing the Gypsy Style
 ≡ 
Lick Breakdowns
Detailed Analysis of Specific Licks and Melodic Ideas
 ≡ 
AGU Tunes
 ≡ 
30 Day Challenge
 ≡ 
+Music
 ≡ 
Video Exchange Archive
 ≡ 
«Prev of Next»

Jazz & More Guitar Lessons: Open Triads with Approach Notes

Video Exchanges () submit video Submit a Video Lesson Resources () This lesson calls for a video submission
Study Materials Music Theory
information below
Lesson Specific Downloads
Play Along Tracks
Close
resource information below Close
Collaborations for
resource information below Close
Submit a video for   
Jazz & More Guitar

This video lesson is available only to members of
Gypsy Jazz & More with Andreas Oberg.

Join Now

information below Close
Information
 ≡ 
Course Description
 ≡ 

This page contains a transcription of a video lesson from Gypsy Jazz & More with Andreas Oberg. This is only a preview of what you get when you take Jazz & More Guitar Lessons at ArtistWorks. The transcription is only one of the valuable tools we provide our online members. Sign up today for unlimited access to all lessons, plus submit videos to your teacher for personal feedback on your playing.

CLICK HERE for full access.
X
Log In
X
Tips and Techniques,
Open Triads with Approach Notes.
The next step we're working on these
open triads is to use approach notes.
And then you can approach each triad,
[SOUND] triad, here each open triad.
[MUSIC]
Basic thing would do,
be to do diatonic approaches
first like this one.
[MUSIC]
Like B going to C.
[SOUND]
Or maybe D.
[MUSIC]
B going to C.
[SOUND]
Maybe have F going.
[SOUND]
G.
[SOUND]
We'll have A going to.
[SOUND] G.
[SOUND]
And
here you can have D [SOUND] going
to E [SOUND] or F going to E.
[SOUND]
And
then you can even combine this,
so doing like.
[MUSIC]
Having one going [SOUND] ascending.
[SOUND] This descending.
[SOUND]
Or maybe do three of them, like.
[MUSIC]
Or.
[MUSIC]
There's so many combinations,
as you can see.
This is really cool.
[MUSIC]
So if you, you start working on this,
you can dig really deep into it, you know?
And same goes for next position, you can.
[MUSIC]
You can do.
[MUSIC]
D to E or F too.
[MUSIC]
B to C.
[SOUND] D to C.
[SOUND] F to G or A to.
[MUSIC]
G.
[MUSIC]
And
then you can also start doing after
a while, chromatic approaches.
Let's, and like.
[MUSIC]
E flat to E.
[SOUND] Or F to E.
[MUSIC]
That's not chromatic.
[SOUND] E flat.
[SOUND] It, it is chromatic,
but it's still diatonic.
[MUSIC]
You can do like.
[MUSIC]
C sharp to C.
[MUSIC]
And you can do F sharp [SOUND] to G.
[MUSIC]
Or [SOUND] G sharp to G.
[MUSIC]
D sharp by A flat.
[SOUND] You can combine two
chromatic ones, so why not do.
[MUSIC]
E flat going to E and
[SOUND] F sharp going to.
[SOUND] To G not F sharp,
G sharp going to.
[MUSIC]
And this one, maybe this one as well,
to do like this.
[MUSIC]
Or.
[MUSIC]
B to C.
[SOUND] So there's so many combinations.
So you can hear, so
you can work on this for all chord types.
I will play once again over
All the Things You Are and
I will use these approach notes.
And it's gonna sound pretty cool, I think.
[MUSIC]