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https://artistworks.com/peter-erskine/learning/109124
https://artistworks.com/peter-erskine/learning/109124
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Jazz Drums with Peter Erskine
Variety of jazz drumming styles taught by Grammy® winner and recording artist Peter Erskine. Backing tracks, study materials, special guests and interviews. Improvisation is broken down and Peter shares great tips for advanced players too.
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Yes No
[MUSIC]
with the high-hat on the off beats,
I'm gonna play some typical Samba rhythms.
Now Samba is a music that is generally
So the drummer can have his or
Where bossa nova comes in,
Bossa nova was a simplification of Samba,
which made it I think more easily
But let me go through some just
I'll play these on the snare
I'm gonna do these first with
you can concentrate on these rhythms.
One
two,
one
two,
[MUSIC].
Okay, now let's play the bass
equate with Brazilian music and
16th beat pattern that's repeated.
[MUSIC]
to get the second half, or
the bass drum beat that lands on two,
to play that open when
If nothing else, I think it helps if
you think of this accent on two, and
that'll kind of give it at least a little
bit more of that feel or
[MUSIC]
Cool.
[MUSIC]
[MUSIC]
this rhythm,
I wanna make sure that
the 16th subdivisions
are lining up as well as
possible with the bass drum.
[MUSIC]
Good.
Now, let's switch over to sticks, and
I'll add the ride cymbal to the foot
[MUSIC]
So
I think
the line
between
samba
and
bossa
nova,
at least
in my
own jazz
kinda
filtering
process,
it gets
a little
bit
blurred.
The beauty of samba is that you can kinda
mix some match as long as you retain or
maintain this basic kinda
thinking of the ascent on two, so
that it has advance-like quality.
[MUSIC]
[MUSIC]
when I break away from
or playing a constant series
is to bring in the floor tom and
accent onto and
It starts out very simple,
[MUSIC]
the 16 inch floor tom for
an even better effect.
[MUSIC]
now we'll add the subdivisions
For starters let's just
[MUSIC]
So let's break that down.
If I alternate between the hi-hat and
the snare,
and then play the hi-hat on every
other beat with the foot,
like that,
check out what happens with the sticking.
[MUSIC]
when you want
to bring it
all home,
that's a really
nice way to add
to the excitement
of a tune and
sound like a group
of percussionists
rather than
just one drummer.
Okay, that's Samba and
Bosanova in a very small nutshell.
[MUSIC]
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