Harmonica School Blog

Blog/News

Sep 26
howard

I leave on Monday for this 2- week tour. Hope to see some of you. Here are the dates:

9/30 (We) – Show at Guangzhou Grand Theater

10/1- Workshop in Zhuhai- Huafa Manufacturer
10/2 (Fr) – Show at Zhuhai Zongyang Huafa Grand Theater
10/4 (Su) – Show at Xiamen Minnan Grand Theater
10/5 (Mo) – Show at Suzhow Culture and Arts Center

10/7 (We) – Show in Jinan. Shandong Grand Theater
10/9 (Fr) – Shanghai- Haishang Culture Center
10/10 (Sa) – Show in Shanghai- Shanghai Daning Theater
10/12 (Mo) – Workshop in Beijing- Soho Building Club
10/13 (Tu) – Show in Beijing
- Nat. Museum Arts Center

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Sep 2
howard

This is video from our one and only live gig, June 11 in Evanston, IL. 

The first tune, a free improvisation, starts at 8:18. I hope you all enjoy this. We made a CD of free improvs a few years ago. You can check it out here: http://balkansamba.com/recordings/first-takes/

When you play like this with the right people, some really good things can happen. I hope some of you check this out and enjoy it.

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Sep 2
howard

howard levy vail jazz

From Sept. 4 I'm going to be playing at this festival with a lot of great Jazz musicians. I hope that some of you can come out to this. http://www.vailjazz.org/

Posted in Howard Levy, jazz
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Jul 30
ArtistWorks

ArtistWorks instructor Howard Levy was recently interviewed on WBUR.org's "On Point with Tom Ashbrook" by guest host Jane Clayson. Check out this great clip of Howard playing blues in all 12 keys on harmonica, and listen below to the full interview from WBUR.org:

Posted in harmonica, Howard Levy
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Jun 9
howard

Here's a track from "Tonight and Tomorrow", a CD I recorded just before I started this harmonica school. I was listening to the final mixes as I filmed the core lessons for the school out in Napa. This was named one of the top 100 CD's of 2010 by Downbeat Magazine. I played piano and overdubbed harmonica. I am playing a B harp in Cross (2nd position). The bassist is Larry Gray and the drummer is Ernie Adams. I recommend that you buy the CD, but as we all know, you can hear/see everything on YouTube these days. We recorded the whole thing in 2 6 hour sessions, the way they did Jazz albums way back when.

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May 31
howard

I usually encourage everyone to buy CDs, but I just found a link to this CD on youtube. It's a one-time-only recording I made in 1999 with 3 great musicians. We had never played together before, spent 9 days recording this CD at Steve Smith's home studio in the Bay Area. It's one of my favorite things that I've ever recorded. All the music is original, including a few free improvs. Steve, violinist Jerry Goodman and I played together a few times after this, but not with bassist Oteil Burbridge, I'm sorry to say. So give it a listen if you have some time on your hands. If you make it all the way to the end, you will hear the fastest harmonica solo that I've ever recorded starting around 4 minutes into the last tune. On this link this part of the tune starts around 48:20.

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Dec 30
howard

music theory for harmonica

The majority of Americans who play diatonic harmonica are primarily Blues players. This is because the instrument naturally plays Blues chords and licks if you play in the Mixolydian Mode, G on a C harp, also called Cross Harp and Second Position. (Ah, terminology.) This approach was discovered by American Blues musicians sometime in the 1920s or 30s - nobody really knows when. It is an incredible coincidence that the Germans would unknowingly design the world’s greatest Blues instrument, but it’s the truth. It’s just as natural to play a simple Blues chordal vamp on the diatonic harmonica as it is to play a German Folk tune.

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Nov 17
howard

harmonica music theoryThe diatonic harmonica poses some unique challenges to someone starting to play it. Unlike most other Western instruments, it is not designed to play all the notes. Most diatonic harmonicas are set up using what is called the Richter tuning system. Named for a 19th century German harmonica maker, this system was designed to make the instrument serve several functions. 

If you sweep over the holes blowing each one from 1 to 10 (you can get single notes by using a pucker embouchure or tongue blocking, a more complicated technique), you will get a 3 octave major arpeggio. On a harmonica in the key of C, this starts at middle C, has the notes C, E, and G, and actually has the same range as a flute. 

harmonica music theoryThe diatonic harmonica poses some unique challenges to someone starting to play it. Unlike most other Western instruments, it is not designed to play all the notes. Most diatonic harmonicas are set up using what is called the Richter tuning system. Named for a 19th century German harmonica maker, this system was designed to make the instrument serve several functions. 

If you sweep over the holes blowing each one from 1 to 10 (you can get single notes by using a pucker embouchure or tongue blocking, a more complicated technique), you will get a 3 octave major arpeggio. On a harmonica in the key of C, this starts at middle C, has the notes C, E, and G, and actually has the same range as a flute. 

Posted in harmonica, Howard Levy
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Oct 13
howard

music theory

Music Theory: just the words themselves can strike fear into the heart of a beginning musician or those who play by ear.

Learning music theory will actually help you pick out tunes by ear. I think the most important thing about music theory is teaching someone how to HEAR more accurately. I like to keep the terminology to a minimum and only teach things that are the most useful to what a musician needs to make progress at each step along the way.

The skill of being able to hear what you are listening to accurately is one that few people possess naturally, so it usually needs to be explained and taught. I like to draw a parallel between sight and sound.

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Sep 12
AW

harmonica history from hohner - part 2

As we saw in our previous installmentup until the 1900s the harmonica was still developing as the instrument we know it as today. It wasn’t long after the Hohner company successfully established itself however that the harmonica became more widely used, particularly in blues and country music. For the first time in history, musicians were became famous for playing harmonica. One of the most influential early blues harmonica players was Deford Baily, who in 1927 started to perform regularly on the popular “Grand Ole Opry” show.

Posted in harmonica, Howard Levy
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