This is a public version of the members-only Gypsy Jazz & More with Andreas Oberg, at ArtistWorks. Functionality is limited, but CLICK HERE for full access if you’re ready to take your playing to the next level.

These lessons are available only to members of Gypsy Jazz & More with Andreas Oberg.
Join Now

Guitar Basics
Introductory Guitar Concepts for All Players
 ≡ 
Tricks & Techniques
An Assortment of Techniques for Specific Playing Situations
 ≡ 
Jazz Basics
Introductory Jazz Guitar Concepts
 ≡ 
Jazz Advanced
Advanced Jazz Guitar Concepts
 ≡ 
Gypsy Guitar
Concepts and Techniques for Playing the Gypsy Style
 ≡ 
Lick Breakdowns
Detailed Analysis of Specific Licks and Melodic Ideas
 ≡ 
AGU Tunes
 ≡ 
30 Day Challenge
 ≡ 
+Music
 ≡ 
Video Exchange Archive
 ≡ 
«Prev of Next»

Jazz & More Guitar Lessons: Mixolydian Flat 6

Video Exchanges () Submit a Video Lesson Resources () This lesson calls for a video submission
Study Materials Music Theory
Lesson Specific Downloads
Play Along Tracks
Tools for All Lessons +
Metronome
Collaborations for
Submit a video for   

This video lesson is available only to members of
Gypsy Jazz & More with Andreas Oberg.

Join Now

Information
 ≡ 
Course Description
 ≡ 

This page contains a transcription of a video lesson from Gypsy Jazz & More with Andreas Oberg. This is only a preview of what you get when you take Jazz & More Guitar Lessons at ArtistWorks. The transcription is only one of the valuable tools we provide our online members. Sign up today for unlimited access to all lessons, plus submit videos to your teacher for personal feedback on your playing.

CLICK HERE for full access.
X
Log In
X
[MUSIC]
The fifth step of G melodic minor
is called, D mixolydian flat 6.
The notes are D.
[MUSIC]
,.
E.
[MUSIC] ,. F-sharp.
[MUSIC] ,. G [MUSIC] ,.
A
[MUSIC],
and B-flat.
[MUSIC].
[MUSIC]
Same idea as before.
Practice it all over the neck,
maybe on one string to get the feel of it.
Practice the intervals.
This one,
this scale I don't use that often.
I prefer some of the other, and, scales.
If I have a, if I'm playing on a,
a seventh cord,
I prefer to use either Lydian flat seven,
mixer Lydian.
Even symmetrical diminished
that we will speak about later.
And also all, the ultra scale,
super Locrian,
which we'll speak about in a little while.
But this one might be good.
For instance, if you have,
if you're in the key of
[MUSIC]
G minor you have this chord sequence
like you have a D7,
[MUSIC]
going to C7.
Instead of just changing then playing
like a D,
[MUSIC]
playing between D7,
[MUSIC]
and C7, you can actually.
See that these are related.
That the D seven is the fifth
step of G melodic minor.
And, C seven is the fourth
step of G melodic minor.
So then you can use, on this
[MUSIC]
,.
this scale.
Mixolydian flat six.
And on the C seven you can
use Lydian flat seven.
And those are actually the same notes.
But, they have different roots and
they are different, different feels to it.
[MUSIC]
But on the, on the, on, chord,
change, on a chord,
progression like that might be good to
know that you can use these scales.
[MUSIC]
[MUSIC]
Something like that.
Otherwise it can be used sometimes
on a 2-5-1-6 Progression.
We gonna speak about that later too.
But then I prefer to use
altered scale instead.
So, but you have the notes.
D, E, F-Sharp, G, A, B-Flat, C, and D.
[MUSIC]
It's like
Mixolydian scale with a flat six.
So.
This is good, to know about,
but it's not my favorite scale.
But if you want, want,
let's practice, do, some intervals,
and some of these other exercises.
But let's move on to the backing track and
play this one.
D Mixolydian flat sixth,
fifth step of G melodic minor
[MUSIC]
[MUSIC]
[MUSIC]
[MUSIC]