This is a public version of the members-only Fiddle with Darol Anger, at ArtistWorks. Functionality is limited, but CLICK HERE for full access if you’re ready to take your playing to the next level.

These lessons are available only to members of Fiddle with Darol Anger.
Join Now

Beginner Fiddle
 ≡ 
Intermediate Fiddle
 ≡ 
Advanced Fiddle
 ≡ 
Jazz & Blues Fiddle
 ≡ 
30 Day Challenge
 ≡ 
+Music
 ≡ 
Video Exchange Archive
 ≡ 
«Prev of Next»

Fiddle Lessons: “Fisher's Hornpipe” - Key of E

Video Exchanges () submit video Submit a Video Lesson Resources () This lesson calls for a video submission
Study Materials Music Theory
information below
Lesson Specific Downloads
Play Along Tracks
Close
resource information below Close
Collaborations for
resource information below Close
Submit a video for   
Fiddle

This video lesson is available only to members of
Fiddle with Darol Anger.

Join Now

information below Close
Information
 ≡ 
Course Description
 ≡ 

This page contains a transcription of a video lesson from Fiddle with Darol Anger. This is only a preview of what you get when you take Fiddle Lessons at ArtistWorks. The transcription is only one of the valuable tools we provide our online members. Sign up today for unlimited access to all lessons, plus submit videos to your teacher for personal feedback on your playing.

CLICK HERE for full access.
X
Log In
X
[MUSIC]
In the spirit of insane application and
pursuit of maximum trouble on the fiddle.
We're gonna stay on Fisher's Hornpipe and
we're gonna move it into yet another key.
A key that hardly anybody plays it in.
But it's gonna be instructive and handy,
and
it's going to expand our knowledge of the
fiddle.
Which is what we're here for, right?
So, let's play Fisher's Hornpipe, in E.
Let's just get that together in E.
That's another.
Okay, so little bit different fingering.
Again, we what does it sound like ba do ba
do ba do ba do ba do.
Right so, I think we're probably gonna
wanna be able to
use our fourth finger a lot in this.
[MUSIC]
But we do have the open E so
we can actually, every time we hit that.
[MUSIC]
Which happens to fall on a strong beat.
Those E's fall on a strong beat.
We can just hit the open E.
[MUSIC]
Now that sounds pretty good
actually cuz we can play that E against
some of the notes and we can keep that.
[MUSIC]
We can,
we can play that double stop there.
So this might be actually kinda a useful
thing.
Let's play that little three note pick up.
[MUSIC]
That sounds pretty good, actually.
I think, I think we might end up starting
a whole new trend,
here, playing Fisher's Hornpipe in E.
It's also a nice closed key.
We could take this into just about any
key,
if we wanted to play Fisher's Hornpipe in
G.
We could just take that same fingering,
move it up to third position.
[MUSIC]
Or we could do something really weird.
[MUSIC]
But let's not do that.
Let's just stay with E for now.
So here we go.
We're back on track.
Here's the second half of the first part.
[MUSIC]
We are just going to change the melody
a little bit to sorta allow for the
capabilities and plusses of the key of E.
Right?
So the whole first part sounds like this.
One, two, go.
[MUSIC]
And then of course we have the second
part.
Now this is going to be interesting
because.
[MUSIC]
Oh that's the same fingering as we were
using when we were up in second position
in F.
We're just, so it's, we don't have to
learn that again.
[MUSIC]
Cool.
So that's, that's pretty nice.
We got some same fingerings and we get to
use that open E-string a lot.
Especially against
[MUSIC]
[LAUGH] that D-sharp.
[MUSIC]
That is such a nice sound.
That's about the only time
[MUSIC]
You're gonna make a minor second sound
good is when it's functioning as the major
seventh against the one.
The one of course being the E.
[MUSIC]
And
the major seventh of course being the D.
Major seventh.
[MUSIC].
And of course you don't want to stay in
that for too long, but
just that little bit sounds so pretty.
[MUSIC].
So there we have Fisher's Hornpipe in E.
[MUSIC]