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Electric Country Guitar Lessons: Hybrid Technique: Block Chord Basics
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Country Guitar with Guthrie Trapp
One of the most in-demand Nashville country guitar players teaches multiple styles of popular and traditional electric country guitar. From basic riffs to ripping country solos, Guthrie showcases and teaches his Telecaster techniques and how to develop your own country style. Backing tracks included. Unlimited Access.
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[MUSIC] Okay, we're ending the, we're coming
to an end of the beginning curriculum here,
and I hope everything has been fun so far, and
that we've made some progress.
We've covered a lot of fundamentals that are gonna be
crucial to the next chapters of this lesson series.
And then getting into playing some real awesome country guitar
styles here of myself and people that I've been influenced by over the years.
And it's such a fun style of guitar to play and
it is a very intricate style and it takes some work.
It's not an easy thing, but with these fundamentals that we've covered in
the beginning lessons here, you've got a great groundwork and a great foundation.
And some framework to be able to have what it takes to move on here and
go into these next lessons.
So the last thing we're gonna do here is we're gonna go into an introduction of
the hybrid technique which is a huge part of
playing the country electric guitar and I'm sure if you're here
watching this video, that you're aware of this style.
And it's, what it is, it's a pick and fingers technique.
So, you're playing with the pick but
you're also incorporating your, the fingers that are left free on this hand.
So your middle finger and ring finger and even your little finger, we'll get
into some stuff in the more advanced sections on how to utilize that finger.
But now we're gonna do two exercises that we're gonna incorporate
using the pick and the first finger, the middle finger, and
then we're gonna do the pick and using both of these fingers.
And we're gonna do just some real simple exercises that are gonna be able
to give you a foundation of this technique.
And just let you kinda see how this works and what it looks like.
So this is what the hybrid technique is.
It's pick, [MUSIC]
and then striking the string,
[MUSIC]
with the open finger.
And what I like to do just to get you up to speed on how this works.
I like to use a little bit of my natural fingernail.
And just keep it nice and smooth with a fingernail file.
I've never been into using fake nails.
A lot of guys that play finger-style and do Chet style and
different things like that, they'll use fake fingernails.
I've never liked doing that, and I don't even think I've tried it but
I've always liked just to use my natural finger nails.
This one has gotten pretty long but
it's nice to have a nice rounded edge on the finger nail and
then I'm using a combination of the finger nail and the flesh behind it.
[SOUND] So one kind of reinforces the next, so
you're not breaking your fingernail off.
But you're not just using your nail as well.
So it doesn't sound [SOUND], it's more [SOUND].
You're using a little bit more of
your flesh to kind of pop the string.
And that's
like a [MUSIC].
And that's where the chicken picking style comes from basically is
popping with that middle and ring finger.
So the way that I approach this is I like to keep my hand pretty close
to the strings, and that comes from playing fast and more uptempo stuff.
You know, you wanna keep your hand, and it's more efficient as well.
Keep your hand pretty close, these fingers kind of naturally curve in.
And that gives you a great little approach to be able to do this.
So what's gonna happen here is you're gonna pluck, we're gonna work
in the low E string, low E chord with these two note block chords
kind of like what we used with the Luther Perkins examples that we did earlier.
So this will be, [COUGH] pluck the string [MUSIC],
Pluck the string with the pick.
[MUSIC] And
then hit the high octave E with your middle finger.
So, that'll go
like this, [MUSIC]
[SOUND].
And what you wanna do is this, what I'm saying is these free fingers,
they naturally curl right up into your hands so this is a very efficient move.
And you notice my finger's almost not even moving.
[MUSIC] So it's really just this
little minute movement.
[MUSIC] And I'm popping the string pretty good.
Not too hard.
And you do, again, the key word in all this stuff,
is you do just really wanna relax.
And almost is like a little muscle memory that's
just gonna be this [MUSIC].
It's a little movement.
This part of my finger is hardly moving at all.
It's mainly just this that's picking that note.
[MUSIC] So that's how you do it with
just the first finger.
And there's different exercises we can do, the first exercise where we'll just,
pretty much what we just did a minute ago where we're hitting the low E string with
the pick, [MUSIC]
and then striking the E octave with
the middle finger.
Now let's see if you can go do this with me a couple times.
One, two, three, four.
[MUSIC] Okay, now we'll
do it one more time where
we're not syncopating.
That was a little bit of a syncopated lick.
We'll do one more time just going like this.
[MUSIC] So one, two,
three, four.
[MUSIC]
Okay?
Now, let's do another one where,
another exercise where we're gonna hit the low E [SOUND] string.
The high octave [SOUND] right there.
And then we're gonna hit the B string.
[SOUND] B note on the A string as well, second fret.
So just bar that like we were.
So we're gonna go,
[MUSIC].
And what this is gonna do is just it's gonna gain a little bit more control over
that finger.
To where you're actually having to move it and hit another string and then move back.
So this will develop your control over that middle finger.
So let's try this again, we'll do this exercise a couple times.
Play with me along here on this, okay?
So we're
gonna go one,
two, three,
four, [MUSIC].
Okay?
And just work on that.
It’s gonna take some time to get that finger under control.
With those exercises, and just do it slow you don't have to do it fast right away.
But that'll gain some control over that middle finger.
And now we're gonna move on we're
gonna do a couple exercises using both these fingers together.
And what this is gonna do is it's gonna be great for enhancing rhythm playing.
And being able to get the funky snap and
pop of the country guitar the chicken picking style.
And it's also gonna come in really, really handy and
be super important when we start getting into double stops.
And I'll be explaining that too in the next section.
[MUSIC]
[MUSIC] So we're gonna incorporate the pick and
then these two fingers, your middle and
ring finger, in these block chords.
And I'm just gonna show you a little bit, how that works.
So what we're going to do is we're gonna do the same kinda idea that we did just
a minute ago, with the pick and the single finger, but
now we're gonna add both of these fingers.
[MUSIC] So we're gonna go,
[MUSIC]
And I am palm muting a little bit
of this low E string.
If you can just rest that right there, it's a great anchor spot, and
it makes this sound less like this is the sound we're trying to avoid.
[MUSIC] So we want, [SOUND] excuse me.
[MUSIC] So
these two are gonna ring a little bit more.
The D string and the A string are gonna ring out a little bit more.
Then we're gonna focus on just muting a little bit more heavily on the low
E string.
And that'll happen if you just mute that with your palm,
like we talked about in previous lessons.
[SOUND] And if you do it and this raises up a little bit down here,
[SOUND] I mean, it's hard to see, cuz I'm doing this all with a really
close-to-the-strings hand because everything's right here.
Nothing's flying out [SOUND] or anything like that.
I'm staying, [MUSIC]
I'm staying really close to the strings to
get a lot of power and efficiency from playing close down here.
[SOUND] And
that's gonna come in handy when we start playing stuff at faster tempos.
So with that being said, this is almost gonna become one.
And this is gonna become a mechanism that works together, these two fingers.
And they're gonna create this power that is
gonna enable you to really [SOUND] pop [SOUND] those strings.
[SOUND] And you don't wanna pop it too hard [SOUND] to where it's obnoxious, but
just a nice.
[MUSIC] Okay, so let's do this exercise
where we're playing this together.
And just practice on, even before
you start doing this up to time with me,
just practice going, [MUSIC]
All right?
Now one thing I'm noticing that I'm doing here, that I wasn't thinking about,
is when I'm hitting these strings, [MUSIC]
They're gonna ring until I release this
pressure on my first finger on the second fret, so watch.
[MUSIC] So I'm stopping them from
ringing when I lift up this finger.
I don't even have to lift it up off the fingerboard,
I'm lifting it up just off the fret.
So watch, here's ringing, [MUSIC]
And here's
[MUSIC].
So if I lift it all the way up, [MUSIC]
It almost creates a pull-off effect,
which you don't want.
So you just wanna stop the note,
which is like [MUSIC].
So I'm hitting the note, [SOUND] but
I'm just lifting it up off so it releases from the fret.
Cuz as long as it's on the fret, [SOUND] I can do anything back there and
it's still gonna ring, cuz it's stopping at the fret.
So as soon as I release, [SOUND] let if up off the fret
[SOUND] just a tiny little bit, [SOUND] it stops.
So with this technique, [MUSIC]
You're pulling up just enough
to stop those strings from ringing.
And that's what gives you that effect.
[MUSIC] Otherwise, it would be,
[MUSIC]
And you don't necessarily want that,
you want it to stop.
[MUSIC] So one's kinda short, [SOUND] and
then one's a little longer.
[MUSIC] And
that gives you a little bit of a rhythmic sense also.
And we'll get into more of that as we get down the line.
But for right now, let's move onto this exercise.
And we're just gonna go, [MUSIC]
We're gonna hit with this pick on the low
E string.
[SOUND] And then we're gonna pluck up on the remaining A string and the D string.
The three wound strings, they're the only thing that we're focussing on right now.
So let's do this, and I'll count us in, one, two, three, four.
[MUSIC]
Okay,
one more
time.
We'll do it a little bit faster, one, two, three, four.
[MUSIC] Okay, now what I'm
doing is I'm letting these
two notes ring here, [MUSIC]
Until I go back to hit the low string.
So, [MUSIC]
So when I go back, when my thumb goes back
to hit the low string, my thumb and first finger with the pick.
When I go back to hit the first string,
[SOUND] these two strings are being muted.
So it creates this.
[MUSIC] So when I'm focusing on doing this
rhythm pattern, I'm going E string [SOUND] and then the chord.
[SOUND] And then as soon as I go back to hit the low E string again,
I'm muting these.
So, [MUSIC]
And that's what creates this
rhythmic pattern.
And we'll get into more advanced stuff, concepts and stuff, with that, too,
later on.
So I hope that helps.
[MUSIC]