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Harmonica Lessons: Adjacent Notes Exercise 3: Holes 2 and 3

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Now we can also do going back and
forth from two to three,
bending both of them.
So, for example, two has G, F-sharp and F.
So there are so many combinations that
we can do,
if we start with two draw as an F.
Then we can go from two
draw bend down an F,
up to any of the four
pitches of three draw.
and you can think of it as being
in the key of F if you want.
We're in F,
we go to the minor third,
and we go to the major third,
the perfect fourth,
and the flatted fifth.
Those are pretty far
apart pitch-wise.
It's good to snap back and forth between
bending all the way on one hole and
unbending all the way on the other hole.
It's a challenge.
It's what's gong on inside your mouth.
It's kinda [SOUND] you're
opening up the air way.
You are taking your tongue from
being that residence controller,
to being neutral and
totally out of the way.
And just letting the air
go into your mouth through
the harmonica,
from the tongue being
a bend,
to the tongue being totally out of
the way.
It almost sounds like I'm going boom boom,
very, very clear delineation.
You don't here any bent tone on the B.
Excuse me, yes on the B.
And then you can play
around with different
sequence of these bends.
The same as I did just
bending them by themselves.
Or going back and
forth between those in G.
Now we're going back and
forth between those notes in the third
hole draw with the bend,
the four pitches that we have, and the F.