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Classical Guitar Lessons: Tuning the Guitar
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Classical Guitar with Jason Vieaux
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[MUSIC] So, you've bought your first guitar from,
from the store or from a guitar dealer and
you, you take it home and you open the case.
And you have a pluck of the strings, and this is what you hear.
[MUSIC].
So not very pleasant.
So we have a lesson today on tuning your guitar.
Now, to my left here on this table we have there's all kinds of things now
that technology has provided for
us to be able to tune the strings, the individual strings of the guitar, and.
So we have of course the iPhone, this app on the iPhone does that as you can see.
There are these tuners.
Here's a, here's another tuner and you play a, you play you're open string and
it'll tell you which pitch it's closest to.
And it'll, and then it has, it tells you whether to tune higher or
lower to match it.
This one clips right onto your head stock here.
Here's a, here's another one.
This is a kind of a slightly newer version of the IntelliTouch tuner.
And does basically the same thing.
But the, as I was saying,
these, these can tune your individual strings to the proper pitch.
But they do not actually end up tuning your guitar.
I mean, what, if you're I mean, before, what did, what did we ever do before for
how we ever tuned this instrument before all these gadgets came, came about?
Well we just had, we had a tuning fork.
And it would play A, and
sort of put, put the metal tuning fork on to the wood so it would vibrate.
And we'd basically get our A on this on our A string and
then tune the rest of the strings to, to that, to the A, open A string.
And so that's what I'm gonna teach you how to do here.
Because as, as you'll eventually discover, if you haven't already
something, if you've never tuned a guitar to these tuners and
then play like a C chord or an E-major chord it still
sometimes doesn't really sound like it's quite in tune.
That's because you have to go a step further if you really want your
guitar to be in tune to the piece that you're playing and
to the key that it's in by tempering it a little bit.
So let's start from here.
Completely out of tune guitar.
I still use the old metronome A440,
the sort of the tuning fork [SOUND] version here.
And, [SOUND] the fifth fret harmonic,
the fifth fret harmonic on the fifth string should
be the same pitch as A440.
[SOUND] So, let's get that now.
[SOUND] And there's an aural s, s,
sorta sensation that happens when you're further away
from a pitch that you're trying to tune to,
you hear kinda like a fast pulsation almost between the two notes.
So if I'm kind of like a quarter tone sharp flat on, on this A harmonic and
it's clashing against the A440, you'll hear this kind of, this, this kind of.
[MUSIC] This kind of pulsating of the frequency.
And [MUSIC]
as you get closer and closer,
as you tune up.
Here, I'll try that again, I'll make the string purposefully flat again.
[SOUND] As you get closer to your target, you'll see that that pulsating actually
gets wider and wider, you know, further apart until it disappears.
When it disappears then the two notes are in tune.
See, this is right around the point where I can hear this.
You'll here this pulsation between the two notes.
[SOUND] Here we go.
[MUSIC] That's really close.
That's, that's just about right there.
Oh by the way, I should show you how to, to make that sound with a harmonic.
Cuz I'm realizing I haven't shown you how to actually
play a harmonic on the guitar and playing these natural harmonics
on all the strings is essential to being able to tune the guitar.
You lightly, with your left, with the left hand finger.
Preferably a small one like your fourth finger.
You just lightly touch, instead of depressing the string down onto the fret,
you actually just lightly touch it and
then simply pluck with any right hand finger.
And then at the moment that you pluck the string you want to
actually release your finger from the string.
If you leave it on the string, [MUSIC]
that's what happens, that happens.
It gets, so it muffles it.
But if you just lightly touch then pluck, [MUSIC]
then release, as you can hear.
The, the harmonic, the natural harmonic sustains re, quite nicely.
So now that we got that out of the way let's continue on to tuning.
Now, [MUSIC]
you can tune with harmonics or
you can just tune with regular notes on the guitar.
I'll show you first how to do this with regular, regular notes, and
then I'll kind of de-tune the guitar again and start over.
And show you how to do it with natural harmonics.
[COUGH] So, I like the, the fifth string to start with, getting that in A440.
It's a ver, it's one of the more stable strings on the guitar.
I, I think that and
the fourth string are usually the truer strings on the instrument.
So, from there the next step is to tune, you can tune the, the fourth string.
[SOUND] And if you place your any let hand finger on the fifth fret of the fifth
string, [SOUND] you'll get a D, and
that's what you can tune your open D string, your fourth string with.
[SOUND] You want to get very very good at de,
detecting whether or not the out of tune string is sharp or
flat in relation to your string that is true.
[SOUND] This D is sharp.
[SOUND]
There we go.
[SOUND] Almost.
[SOUND] That's better.
[SOUND] Okay.
Now you have a pair of strings that are really in tune with each other.
Rather than continue working your way up the strings, as,
as as, as normally what we're taught to do is sort of a begin,
sort of a beginner level of tuning.
What, unfortunately what happens with that is by the time,
it's kind of like a game of, that game of telephone.
Where you you whisper something in somebody's ear and what,
with everybody sitting in a circle.
By the time it gets around back to you again, that, that, that, that sentence or
that message has changed.
It's kind of the same thing with tuning.
By the time you work your way pair by pair up the strings the, the first string
isn't really going to resemble being really in tune with the fifth string.
So what I recommend is to now take your good pair of strings.
Fourth and fifth and tune all the other strings to those two strings.
That results in a much more in tune guitar.
[MUSIC]
[MUSIC] I now go to the first and
second strings.
I, I personally leave the third and the sixth string for last.
[MUSIC] I know I've got a good fourth and fifth
string, so if I go to my second string, I can tune the D of the second string.
[MUSIC] Its octave to the open fourth string,
[MUSIC]
and that's on sharp.
[MUSIC] There we go.
So I just tuned it down a little bit.
[MUSIC] That's good.
Now I'm not done yet with second string.
I want to also check the second string against the A string, my open,
my open fifth string.
[MUSIC] So I can do that
[MUSIC]
by playing the, the A on the tenth fret.
[MUSIC] That sounds
pretty good so [MUSIC]
it's in tune with the fourth,
my second string is in tune with the fourth and fifth strings.
And so now I have a trio of very true strings going onto the first string.
[MUSIC] Yikes.
I can tune that, what's supposed to be an E
[MUSIC]
to my E on the, on the fourth string.
[MUSIC] And of course it's severely flat,
a whole half step away.
[MUSIC] Not quite there yet.
[MUSIC] Almost.
[MUSIC] Here we go.
Not done yet.
I'm gonna check it against,
I've, I've tuned my my first string E to the fourth string.
And now I'm gonna check it, double check it by tuning it to the fifth.
[MUSIC] So
I can do that by playing the A on the first string and checking it with, and
checking that against the open fifth string.
[MUSIC] But remember,
what I'm doing is I'm taking each new string and
checking them with both the fourth and the fifth.
[MUSIC] It's pretty good.
Okay.
[COUGH] Now I'll take care of my final pair of strings, the third and
the sixth with I, which I tend to leave for last.
Let's go to the sixth.
And of course, we've got if we play the A on the sixth string,
which is on the fifth fret.
[MUSIC].
[MUSIC] We could check that against the open
fifth string.
[MUSIC] This is very sharp.
[MUSIC] This sixth string is very sharp to
the fifth string.
[MUSIC] You can even use fourths.
[MUSIC] Intervals of fourths and
fifths can help you tune.
[MUSIC] That's pretty good.
Not done yet.
I will check it against the fourth string.
[MUSIC] And I can do that by just playing
the fourth playing the fourth string E, which is on the second fret.
[MUSIC] Not bad.
[MUSIC] So now I've got five good strings.
I have one left and
here's the third string, [MUSIC]
which should be an open G here.
[MUSIC] And
again checking it against the fourth and fifth strings.
The, [MUSIC]
the, I know that on the third string
the second fret is an A,
so I can check that octave against the open fifth string A.
[MUSIC] It's very flat.
[MUSIC]
Okay good.
I'm not done yet.
I'll check it on the, against the fourth string by play,
playing the D which is on the seventh fret of the third string.
[MUSIC] This note here, and
I will check it against the fourth string.
[MUSIC] Pretty good.
[MUSIC] There you have it.
If you get, of course, when you get a new guitar you change strings.
[COUGH] On your guitar you'll notice that they slip initially at first.
It does take time for new strings to break in.
So sometimes when you're tuning a guitar with really brand new strings on it,
you'll have to tune it again and again and again while you're practicing.
But that's actually a good thing.
It gives you a lot of practice with keeping the guitar in tune.
So, the final step here is tempering the instrument to the key that you're in.
So I have a guitar that's generally in tune with, with the open strings and such.
But it doesn't necessarily mean that any,
it's going to be in tune with any given key that I play in.
So if I'm playing a piece in E major.
[MUSIC] I think we all know this chord here.
[MUSIC] As you become more advanced with tuning
and your ear starts to become, a bit sharper,
a bit keener, [MUSIC]
you can make those fine tune adjustments
[MUSIC]
if needed,
[MUSIC]
according to the key that you're in.
You that, that doesn't neces, not necessarily mean that other key areas in
the piece that you're playing, or other chords,
are also going to be in tune because that's just the nature of the instrument.
For example, this sounds okay to me in E major.
[MUSIC] But if I go to C major,
[MUSIC]
this sounds kind of flat then,
this open string.
This open G string sounds sort of flat.
[MUSIC] However, if I correct that G string in C
major in the to the, tune it to the chord of C major.
[MUSIC] Now, that sounds truer in C major.
But if I go back now to E major, it sounds too sharp, that same string now.
Functioning as the major third of the chord of E major now sounds too sharp.
So this is a,
this is more of a finer point of tuning with, between things that, let's
say that I had a piece that basically had a lot of those two chords in it.
Well, from there it's kind of a, like a middle of a road approach.
I have to make the third string so that it's bearable in both of those chords.
It can't be perfect in, in both.
And I think it's better to be okay, when tuning okay in C major,
in other words, listenable, and okay in E major, rather than have it perfect in,
in C major but have it pretty out of tune for E major.
So that covers tuning with regular notes.
In the next video in this series on tuning,
I'm going to cover how to tune your guitar with
harmonics, using natural harmonics.
[MUSIC] In the last segment on tuning I showed you
how to tune the guitar just using a single eight,
four, fourty from a metronome and
using the natural notes of the guitar.
In this segment, I'm going to show you how to do the same thing, but
with natural harmonics on the guitar.
In that last lesson, I went through
I gave you a demonstration of how to actually play a natural harmonic.
I'll go through it briefly once again and then we'll be on our way.
I've, [SOUND] as you can hear, [SOUND] once again,
I've made my guitar sound absolutely horribly out of tune.
[COUGH] So once again, with the national harmonic you, just using here,
we're going to use the fifth fret on the fifth string because that's where we're
going to get our A four fourty from.
From the metronome or from a tuning fork.
You just lightly touch the string with any finger.
I like the fourth finger because it's lighter and smaller.
And just after you've plucked the string, you release the finger from,
from the string, and that allows the note to last a lot longer, to sustain longer.
If you leave the fingertip on the string, you get a muffled kind of sound.
Your, your, the skin on your fingertip will muffle the note and kill it.
[SOUND] That of course lifting at the moment just after you pluck,
[SOUND] lift and then that note sustains.
Very important, of course, when you're trying to tune to a 440 here we go.
[SOUND] Really flat.
[SOUND] Good.
Okay, now to the rest of the notes.
Tuning with harmonics.
Generally it's, you're tuning from fifth fret
[MUSIC]
to seventh fret.
Generally.
There's an, there's exceptions.
But if you so, we'll just go step by step here.
The next the next step, just like in the last lesson
the next step is to get a true fourth string along with your fifth string.
Though the, so, so, you have a very good strong pair of in tune strings, so.
How you do that here is you hit the fifth fret harmonic [SOUND] of the fifth string,
and the seventh [SOUND] fret harmonic of the D string.
Once again, [SOUND] it's a little sharp.
Good.
[SOUND] There we go.
The advantage to tuning with harmonics is, is that the notes sustain,
both the notes sustain a lot longer.
Unlike using natural notes which you have to lift your hand and stop and
keep checking,
the harmonics is once you get used to it is actually a faster way to tune.
Because you don't need to go, keep going back to the note so often.
You'll hear that pulsating that I spoke of before.
You'll hear that pulsating widen and
eventually disappear as the notes get closer and close to each other.
Here, I'll do it again.
I'll make it I'll make it.
[MUSIC] I'll make it purposely sharp.
[MUSIC] There we go.
[SOUND] Another technique with harmonics is to go low.
Go lower than your target.
[SOUND] And then crank slowly up to your target.
[SOUND] Like that.
Good.
Okay, now we can move onto the other strings.
Again, I like to do the second and first strings next.
So, with the seventh fret of the fifth
string we get the same pitch as the,
as the open string E.
[MUSIC]
Good.
And then you can do to check it against your fourth string
[MUSIC]
you can just check your A on the fifth
fret of your first string with the seventh fret natural
harmonic of the fourth string.
Always check your new string to the fourth and fifth.
Tune all the rest of the strings of the guitar to the fourth and fifth strings.
Always, it's sort of like a double check for every string.
[SOUND] Okay.
Going to the fifth string.
Lets see, what do we got here.
We have.
[SOUND] Well, we can use that seventh fret harmonic on the fifth string.
[MUSIC] And use that to tune the fifth fret
natural, the natural note fifth fret of the B string which is another E.
[MUSIC] Still
sharp.
[MUSIC] Here we go.
Then we can check it against the D by, I think, just playing natural notes.
[MUSIC] Again, you wanna get them so
that they sound, the note sounds okay with both the fourth and fifth strings.
Passable for both strings.
[MUSIC] So
there's the fifth string tuning the second string.
And now here's the fourth string tuning the second.
Now will get to the sixth and third.
Okay now, we're, here's going again right back to our E
note which is the seventh fret natural harmonic of the fifth string.
[SOUND] Tune that to this harmonic on the sixth string
is the fifth fret natural harmonic of the sixth string.
We hear that those are sharp.
[SOUND] So while they're ringing,
while those harmonics are ringing go below.
[MUSIC] Pretty good.
Here's to check it against the fourth string I like to use the 12th
fret harmonic of the sixth string [MUSIC]
and check it against the fourth string.
Natural note.
Just the regular note.
[MUSIC] The E on the second fret of the fourth
string.
[MUSIC] And that one's pretty good.
That way I'm tempering it again to both the fourth and fifth string.
Then we just have our third string left to go and
if you hit the 12th fret on the A, on your fifth string,
12th fret on your fifth string, you'll get the same.
You'll get a unison A that you can tune to the natural note A on your third string,
which is on the second fret of your third string.
So, 12th fret natural harmonic on the fifth string to
the second fret note on the third string.
And it is flat.
[MUSIC] Check
this out.
Bending the string upward a little bit is another little trick.
Bending upward while you're har, while you're true harmonic is ringing can
give you a little bit of a sense of how far away you are.
It's a nice sort of trick there.
[MUSIC] There we go.
[MUSIC] Sounds good.
Check it against the fourth string.
I mean, really there's always that,
the trusty fifth harmonic, fifth fret harmonic to the seventh harmonic.
So you can hit play, the fifth fret natural harmonic on the fourth string.
[SOUND] And the seventh fret natural harmonic on the third string.
[SOUND] This one to me isn't quite so reliable, because as I said before,
as I suggested before, I tune the third string last,
I think the third string is kind of maybe the most volatile.
[SOUND] That's close enough for
both of them.
Again, you're never really getting a guitar in tune.
You are tempering the guitar.
And that's why it's good to, to, to tune each string to
two strings that are very reliable, like the fourth and fifth.
And then as you become more advanced with tuning,
you can actually check each string off of all the other five strings.
But for now, that should get you started and
get you on a pretty solid method of tuning your guitar before each practice session.
Thank you very much.
[MUSIC]