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Introduction To The Martin Taylor Guitar Academy
This "introduction" block sets the stage for what is to follow. Put down your guitar, and enjoy learning about Martin's background, influences, and philosophy about music and the guitar. If you are anxious to get going, you can skip ahead to the "Underlying Concepts" block or even "Learn By Playing Tunes" block. Just be sure to get back and watch these important videos!
Underlying Concepts
The "Underlying Concepts" block starts very basic and progressively lays down the foundation for Martin's approach to fingerstyle guitar. Even if you are already an advanced guitarist, Martin asks that you go through all of these lessons. This block ends with Martin teaching two versions of the jazz classic "Satin Doll."
Developing Technique & Musicianship
Here we switch almost entirely to music, musicianship, and advanced techniques for making music on the guitar. To get started right, Martin teaches a simple but soulful version of his own composition "True." Martin uses this tune as reference point throughout the curriculum. More techniques flow from Martin's presentation of jazz blues, "Somewhere Over The Rainbow", and "My Romance."
Learn By Playing Tunes
Watch, listen, play. It's all here: A progressive collection of tunes that represent every skill and technique Martin employs in his fingerstyle guitar playing. For many of these tunes, Martin provides a very detailed analysis of all of the techniques employed. All of the tunes are presented with alternate camera angles (you can see exactly what Martin sees using the "topview" camera angle), and slow-motion versions. Many of the tunes have downloadable notation PDF files, though Martin prefers you to use you eyes and ears rather than the notation which can become a "crutch" and inhibit progress.
Auxiliary Lessons
This is the place where material will be placed that relates to specific topics not covered in the core curriculum, such as accompanying a singer, gear, etc.
Guided Arrangements
30 Day Challenge
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Fingerstyle Guitar Lessons: Improvisation Part 11: Melodic Improvisation Single String 2-5-1 Examples Part 2

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start bringing the next element into this.
Let's bring some chromatics in.
This can be like the glue.
Chromatics is when we, when we go for our
target mode, but
we play a note, a semi-tone, either side.
It, the choice is yours which you go on
that one.
So with the first, let's do something
really simple.
Here's a chromatic.
Okay, two, a one, two, three, four.
This is really simple.
Let's do it the other way.
Now with a third.
Now the fifth.
This becomes our glue.
So we can.
See it's starting,
it's getting there now isn't it.
We could start taking it a little
bit further away and getting a bit more
outside using those chromatic notes.
Which brings us, gives us tension and
A one, two,
There we go back.
[LAUGH] It's all based on this.
there, some of our little things that we
can use.
We have the two five one, D-minor seventh
G seventh to C.
We can use our target notes.
Target, target, targeting an interval.
We can target the first, the third, the
fifth, the seventh.
We can embellish around that.
Use that as our little point.
So, if you hit the first.
You can play.
Or without chromatics.
But use that as your target point.
That's where you, where you, you want to
That really glues it all together.
And then we can take a little bit further.
And if we can get a little bit more
Another thing you can do as well you can
find the right,
right point as you can actually start
bringing a minor pentatonic in there.
The blues scale.
Which is basically you're playing a minor
third against a major third.
So you can play that on, on the C.
If you want to put a little bluesy touch.
If you want a,
put a little bluesy thing in there.
So that's, that's how I would approach
And from there, from the very basics,
basics of that absolutely corny stuff.
Little corny triads that we're playing.
We can take it further.
Target notes, melodic embellishments,