This is a public version of the members-only Fingerstyle Jazz with Martin Taylor , at ArtistWorks. Functionality is limited, but CLICK HERE for full access if you’re ready to take your playing to the next level.

These lessons are available only to members of Fingerstyle Jazz with Martin Taylor .
Join Now

Introduction To The Martin Taylor Guitar Academy
This "introduction" block sets the stage for what is to follow. Put down your guitar, and enjoy learning about Martin's background, influences, and philosophy about music and the guitar. If you are anxious to get going, you can skip ahead to the "Underlying Concepts" block or even "Learn By Playing Tunes" block. Just be sure to get back and watch these important videos!
Underlying Concepts
The "Underlying Concepts" block starts very basic and progressively lays down the foundation for Martin's approach to fingerstyle guitar. Even if you are already an advanced guitarist, Martin asks that you go through all of these lessons. This block ends with Martin teaching two versions of the jazz classic "Satin Doll."
Developing Technique & Musicianship
Here we switch almost entirely to music, musicianship, and advanced techniques for making music on the guitar. To get started right, Martin teaches a simple but soulful version of his own composition "True." Martin uses this tune as reference point throughout the curriculum. More techniques flow from Martin's presentation of jazz blues, "Somewhere Over The Rainbow", and "My Romance."
Learn By Playing Tunes
Watch, listen, play. It's all here: A progressive collection of tunes that represent every skill and technique Martin employs in his fingerstyle guitar playing. For many of these tunes, Martin provides a very detailed analysis of all of the techniques employed. All of the tunes are presented with alternate camera angles (you can see exactly what Martin sees using the "topview" camera angle), and slow-motion versions. Many of the tunes have downloadable notation PDF files, though Martin prefers you to use you eyes and ears rather than the notation which can become a "crutch" and inhibit progress.
Auxiliary Lessons
This is the place where material will be placed that relates to specific topics not covered in the core curriculum, such as accompanying a singer, gear, etc.
Guided Arrangements
30 Day Challenge
Video Exchange Archive
«Prev of Next»

Fingerstyle Guitar Lessons: Improvisation Part 12: Melodic Improvisation Single String 3-6-2-5 Part 2

Video Exchanges () submit video Submit a Video Lesson Resources () This lesson calls for a video submission
Study Materials Music Theory
information below
Lesson Specific Downloads
Play Along Tracks
resource information below Close
Collaborations for
resource information below Close
Submit a video for   
Fingerstyle Guitar
information below Close
Course Description

This is only a preview of what you get when you take Fingerstyle Guitar Lessons at ArtistWorks. Sign up today for unlimited access to all lessons, plus submit videos to your teacher for personal feedback on your playing.

CLICK HERE for full access.
Log In
we've taken it from the, the very basics
of the scale.
The, the triads, the arpeggios.
I've brought in some target notes,
And what's happening here is,
when I'm playing this, I'm not thinking
about every note in the scale of each
chord, now if you start doing that it's
gonna, it's just gonna pass you by.
You can't do that just target a note, find
a note.
He said, well, that one works, that one
fits in there and
soon we can play around with that.
Find little motifs.
Now, when I was doing two, five, ones and
I started from very simple and I was
taking it further and
further, and further on I started to get a
little bit wild on it and
it's going up playing up in the dusty end
of the fret board.
It wasn't to, to be flashy or to be
intimidating in any kind of way,
that's just to show you where it could be
I've been playing for a long time.
This is something that works this is
something that develops over,
over a period of time.
The important thing about this is to start
at the basics.
Start from the foundation and work your
way up.
Before you know it you're a skyscraper.
So, if I start taking this a little
farther out.
I'll just play this, I'm not expecting you
to play this.
But this is just to give you an idea of
then where it's to
be taken when you start going further out
with improvisation using all these things.
Have knowledge of the chords, the,
the triads, arpeggios, targets, and
Here we go, one, two, three, four.
See, I'm just taking it a little further
out the whole time.
Lot of that's to do with the chromatics,
and I'm, and I'm, I'm,
I'm joining it all together, gluing it all
See, when you hear me playing that, it
sounds very complicated.
It isn't.
It's just all based on those triads.
But bringing in, targeting the notes and
bringing in chromatics with it.
Okay, for,
for, for the some of you that might be a
little bit further, further down the line.
For some of the students, you're already
But, this is to just explain that we, this
is taking
improvisation from a different point of
view, from, from the absolute basics.
Always keeping starting with the, a
melodic approach, and
then using all these things and you take
it further out.
And, you can get into all kinds.
it's all based, on the same thing, we're
just a little bit further down the line.
So start from the beginning keep it simple
and start working your way up.
There you go.
I just want you to have a lot of fun
playing around on these,
these turn arounds.
It really is great fun and the, the
possibilities are endless.
That's, that's the, that's the real joy
of what we do here is that we never fully
master what we're doing.
There's always something else that, that,
that comes along.
And we come up with new ideas.
We hear somebody else play.
Comes up with ideas that we wouldn't of
thought of.
So, have some fun with this.
You know, you can, you can download the
the MP3 of this,
you can, of the the backing track.
And play around with it,
play along to it, and if you wanna submit
a video, that would be absolutely great.
Send that to me.
I'll be very, very happy to respond.