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Now
we're gonna talk about the 3-6-2-5 chord
progression.
So in the Key of A, the three would be-
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C-Sharp and we'll, we'll do three minor.
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Six will be the F-Sharp and
we'll do the F-Sharp minor as well.
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Two will be the B,
B minor and [SOUND] E will be the E7.
So when you hear 3-6-2-5, they sometimes
call them,
refer to those changes as ice cream
changes.
And they go around and again, this is a
pattern that goes around in a cycle and
you don't really get out of it.
You kinda just stay there until you come
up with an ending.
But it sounds like.
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And
again it's gonna be in fourths on the
bass.
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So if we kept it going it could go.
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So
that's the 3-6-2-5 progression and you can
get that in your ear.
I'll demonstrate it sounds something like
this.
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3-6-2-5.
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3-6-2-5.
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So we know we're in the key of A, and
it sounds like we're gonna end on A but
that's kind of a way to just keep it going
around, that a lot of times they vamp on
3-6-2-5s and then somebody will solo, or
the singer will make up some lines there.
That's the 3-6-2-5.
If I were gonna do a little more advanced
bass line for that,
it would sound like this.
A little more walking.
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And again, if I were gonna outline
the chords and deal a little more of a
soloistic
approach to that, it would sound like
this.
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So that's just outlining the changes using
arpeggios.
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So now,
it's your turn to play through those
changes and
send me a video that I can check out, and
I'll get back to you on how it sounds.
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Submit a Video
