This is a public version of the members-only Hip-Hop Scratch with DJ Qbert, at ArtistWorks. Functionality is limited, but CLICK HERE for full access if you’re ready to take your playing to the next level.

These lessons are available only to members of Hip-Hop Scratch with DJ Qbert.
Join Now

Skratching
 ≡ 
Battles
 ≡ 
Digital Applications
 ≡ 
Training Dojo

In this section, you can have call and response sessions with experienced skratch djs. They'll skratch the questions, and you skratch the answers. Here, you can try to copy them or just freestyle. Try out the skratches you've learned and put them together in your own way. It's that easy!

When you get better, you can post your own call and response "sessions" for the training dojo so that others can skratch along with you too!

 ≡ 
Beat Juggling
 ≡ 
Setup & Gear
 ≡ 
Helpful Hints
 ≡ 
Guest Professors
 ≡ 
30 Day Challenge
 ≡ 
+Music
 ≡ 
Video Exchange Archive
 ≡ 
«Prev of Next»

Skratch Lessons: Fader Preferences

Video Exchanges () Submit a Video Lesson Resources () This lesson calls for a video submission
Study Materials Music Theory
Lesson Specific Downloads
Play Along Tracks
Tools for All Lessons +
Metronome
Collaborations for
Submit a video for   

This video lesson is available only to members of
Hip-Hop Scratch with DJ Qbert.

Join Now

Information
 ≡ 
Course Description
 ≡ 

This page contains a transcription of a video lesson from Hip-Hop Scratch with DJ Qbert. This is only a preview of what you get when you take Skratch Lessons at ArtistWorks. The transcription is only one of the valuable tools we provide our online members. Sign up today for unlimited access to all lessons, plus submit videos to your teacher for personal feedback on your playing.

CLICK HERE for full access.
X
Log In
X
[MUSIC]
Okay, one thing that I wanted
to mention is that I use a fader in
reverse, hamster style.
Or a reverse fader which would be, the
normal way is, that turntable.
And, you go over here and do this kind of
thing, and then the middle,
it'd be both, right?
[MUSIC]
That's the normal way of scratching.
But, I use it in reverse.
[MUSIC]
Because back in
the days when we first had our mixers,
we didn't have all this cool equipment
with all the Nice cut offs on the fader.
I had, I had a mixer from RadioShack.
I started in 85, so I went down to
RadioShack.
I saved up some money and got a $50 mixer.
And, it didn't have a cross fader.
It just had up and down faders.
So, I had to learn like this.
[MUSIC]
And so, by going up,
it translates [SOUND] this way on the
fader.
[SOUND].
The same thing, I'm still going up.
And, that's why I'm scratching like that.
So, throughout the video, you'll see me
scratching in reverse.
Kinda like how Jimi Hendrix plays left
handed,
turns his strings upside down or whatever.
It's just a preference and you can do what
ever style you want.
Some DJ's still scratch with this.
Some DJ's scratch with the clicker.
Some DJ's open up these mixers and turn
the clickers sideways.
They scratch sideways or they even turn
these faders upside down.
And, they scratch upside down.
It's whatever you want to do.
If you can be left handed, or whatever.
So, just keep in mind what I'm doing.
This way just translate it the opposite.
[MUSIC]
Might actually help you because
it's kinda like a mirror image the way
you're looking at the fader.
But yeah.
Let me talk about mixers anyway.
Back in the days we didn't have this nice
cut offs like
[MUSIC].
You'd just have to go from here, a few
millimeters,.
[MUSIC].
Or, what do you call it when it's like a
centimeters, when it's so small.
I think, a millimeter, right?
All right?
Yeah, okay.
So, a little milli, couple millimeters
over.
[SOUND] To get that loud sound, but back
in the day it was.
Let me turn this cross fade, adjust it
normal.
Had to go all the way across [SOUND] for
it to be loud.
[SOUND]
All right?
So, it's so to get that really sharp cut
off, we would.
We couldn't use these faders when they
finally came out because it was,
you had to fade and it was really hard.
Well, some people did it.
But we, here on the west coast,
we would cheat and we'd use these little
switches to get the really quick cutoff.
Now, on the east coast around the around
the 80s, middle 80s,
beginning 80s, they had a, a company
called the Gemini.
And, it's not the new Geminis that you see
now,
but the old Geminis, it had a wooden,
wooden sides.
Not the ones that came out in the 90s or
whatever, but I guess in the early 80s,
they came out with this Gemini.
Actually, it didn't even have wooden
sides.
It was just all, all black.
You'll see it on Cash Money's record Ugly
People Be Quiet.
On the back cover, if you turn it over,
you'll see Cash Money having his mixer.
Also, Jazzy Jeff, Magnificent Jazzy Jeff,
his first album on the back cover.
He had the same mixer too.
So, those guy were on the east coast and
they had, Gemini had made a mixer and
on mistake Gemini made a crossfader that
cut off.
Had that cut off.
You just move it a few millimeters over
and it was completely loud.
And, that helped a lot of east coast DJ's
cut.
You know.
But, on the west coast you have [SOUND].
But, now a days all the mixes are complete
with these cut offs.
So, you can control if you want a long cut
off or a really short cut off.
Some mixes have it where you, you just
move it a hair and
it's super loud, you know.
[NOISE] But, I like a little tiny fade in
there.
[NOISE] Because I like a little smooth
sound.
[NOISE] I don't want it to be all like
super choppy.
But, anyway, just wanted to mention to you
that the I'm gonna be using
the fader in reverse and that you gotta
keep that in mind.
Unless you wanna scratch in reverse too.
[MUSIC]