What's up y'all?
We're going to do a special class of four
You're like, what the hell?
I thought there was just one.
There's one, there's a reverse one.
But, there's two forward ones.
And, two reverse ones.
So, let's start with the first one, all
This is a OG flare right here, probably
recognize this one.
Which one did we show off?
So, this one is like, cut the sound right
and you cut the sound at the transition.
That makes three notes.
One, two, three.
That goes like this.
So, remember the faders open, right?
I'll put this in regular fader.
Cut the sound in half.
[SOUND] Then, you stop at the end and come
So, i'll do slow motion here.
Do real slow motion as much as I can.
That's all that is, all right?
So, remember the faders always open.
Everyone gets confused like, they're
always start with the faders closed and
trying to [SOUND] They try to do like a
transform thing, but it's not.
It's like, the secret with this is the
fader is open, right?
So, you let the sound come in, you cut it
in half, and
stop it right before you come back.
And, that's it.
Real slow, as slow as I can.
So, that's what happens.
Anyway, let's move on.
So, the next scratch would be same thing
here, right, forward, backward.
And, this time, instead of doing this cut,
that flare right there,
we're gonna do the flare over here,
But, we're gonna start the first one on
And, we're gonna do that flare right
So, that one would be forward, and then on
then that's when you cut it in half
[SOUND] All right?
Let's do that in reverse, because.
So, let the sound come in and
just stop it right at the end [SOUND] All
And then, you come back.
Anyway, let's just keep moving forward.
So, that's that one right there.
So, let's, let's do both.
the other one is
the other one is.
So, those are those two.
Now, there's two reverse of those
We're going to do, the,
It'll be that one right there.
Now, it would be there.
Is that right?
So, that one is.
Let me see.
Just making sure that's not the exact same
thing as that.
It's different, right?
So, that one is on the back
start with the reverse fader open.
Kinda like, move the four, scratch four
because you're going to start in reverse.
Real slow motion.
[NOISE] Cutting the sound in half and
stopping at the end.
[NOISE] Don't hurt
yourself on it.
[NOISE] All right.
So, that's that and the fourth one is.
Reflection of this one, which would be.
That's another thing.
So the, these is.
These are like.
This is a mirror right here.
This is how I do this.
This is a mirror.
And, these two right here.
Cuz that's a mirror.
Mirror is that.
Reflection is like the reflection in, in,
So, let's say this is water right here.
So, this is a reflection, that is how you
get four different ones.
So, this is a reflection, the reflection
of this would be like that, bam, bam!
So, that one is, you are going to
start reverse, once again, faders open and
you cut it off at the transition.
And then, on the first part you go.
So, four different types of OG flares,
Little thing you can mess with.
And, that applies to all of the skratches.
So, so, if you get like a Prizm,
and you put that up there, you could do a
mirror version, and a reflection version.
And, a forward one, and a backward one.
So, that would make four types of Prizms.
And, other skratches too.
So, try to experiment with different
drawings and skratches and find you'll see
more with a mirror and reflection.