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Skratch Lessons: Skratch Techniques 2.3

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okay, now we go a little bit more in
detail and
try to augment this type of basic
performance and
a really simple way is to play the fade
in, fade out performance
now two times over a forward-backward
motion, yeah.
With regards to the record motion, I will
demonstrate now two variations.
The first one is the so called, release
release mode.
That means.
It plays baby scratch by doing the forward
motion as in release and then I move to
like a back.
This is the first variation.
Then the second variation is now to play
this up and.
I play it completely by hand.
Now, the idea was to incorporate the fade
fade out performance two times over the
forward-backward motion.
That means for the first variation is we
let the record play,
then we fade in and face out.
Yeah, and then the same.
On a backward.
So over beat.
So, and I think that this is a really nice
technique, yeah.
Try to master it and play it faster.
I will show now a little demo concerning
the hand picking, this
is similar to the, a one click, basically,
because we start with the thumb.
And then with the forefinger.
This here.
But concerning,
the acoustical result it's more similar
to, a slide because.
We, we raise the volume and we lower the
When we would play one click over.
This is the next performance and
we lower the volume at first, and then we
raise the volume.
Now, the demo.
So okay, this was the demo for the release
So I now know once again the second
variation is.
To play this off.
And our first move is.
And it sounds a little bit like a stiff
tears in my opinion.
So the demo shows the correct practical
conversion and
the correct acoustical result.
So, and as you heard this play mode
attains a different acoustic and opposide
to the previous performance.
So, okay, as next, we will play the
fade-out to fade-in performance
two times in correspondence with the
forward, backward motion.
Once again, I will demonstrate the release
mode and the hand mode.
And like I said, to fade-out.
And fade in performs two times.
It means, for the release mode,
we start with the line fade out on the
highest point and-
[SOUND] Like this.
It goes like this.
So and, the idea of this technique we
first was one click of it.
Because we produce a slight fade-out in
the middle-
[SOUND] Of the forward, when you look
[SOUND], and
then the same on the backward stroke.
And that's the reason why we can say this
is similar to the one click orbit.
So two variations like I said.
Release mode at first in the shape of a
So okay, and
finally we will do the same performance on
the line fader, but we will
move the record completely by hand, until
the platters off like this here.
So, okay, finally I will share with you
some tips for self training of
demonstrated line fader techniques.
The line fader are handled by fingertips
and are often bound set swiftly between.
[SOUND] Thumb and index, yes?
So a clear finger picking is always
comfortable like, or
as on the cross fader.
That means moving down, by the forefinger,
and moving up, by the thumb.
You can also try to play this techniques
in the reverse mode here on the line fader
but yeah, it's up to you.
So and additionally try to play all
techniques by lowering or
raising up the volume of the sound, yes.
This needs many hours of practice.
But by doing so you build up sound basic
skills for variant scratch routines.
So, yeah, this is it.
In the next tutorial related to fading
pattern, I will go more into in detail.
And introduce some of real crazy
Also in combination with tones from
traditional instruments.
Watch out, take care.
Alex, bye bye.