to create a song we have to structure the
example and arrange the voices.
We got to the trademark was the acoustic
impression of the song by Muddy Waters.
This is this one.
I was a young boy.
At the age of five.
I think everybody knows this, so
in regards to the trademark of the song, I
choose it first.
The sample here, there.
You can also download it.
And try to play a harmonic correspondence
to the drum sequence.
Important is to align the playing style
with the rhythmic
positioning of the kick drum of the drum
This is a very common method and it helps
to perform a fitting pattern.
So, my drum sequence.
And at first we play on the one beat, a
This is the first step.
And then we can advance.
Goes like, release.
One 16 pose.
Back scrub and then we let the record play
Transformer, open, close.
And then once again.
Okay, this is the first part.
The second part or the second measure is
basically the same but
we do a little variation.
It goes like.
I want to begin the first part.
Yeah, and then.
And in its entirety.
Like, one, two, three, four.
Okay, this is the accord, yeah?
I think this is clear.
My aim of this tutorial is not that you
play exactly the same pattern.
Try to play some variations.
But the, the informations which I am
explain are very useful to create an own
So, now we came to the second chord, was a
This one is based on the trademark of the
song from Muddy Waters.
And we got as typical this.
So this sample here.
So and now,
I want to try to put this phrase or
this melodic inside my composition by
So, and to do this, I consider.
So how can I do this?
The first methodology is like I said in
the beginning, to place.
Accord here on the same positioning as
the kick drums inside the drum sequence.
This is important, and yeah, let's do
We start basically with this one
Basically really simple.
When you da da da da.
When you get this feeling.
Da da da da.
So we play this one measure.
Then we go in the second measure.
Start also with this one.
We play a little break, and
this play, break goes like.
We move the record back to the snare,
then we play a transform baby scratch.
And you see this.
You see this.
I must rush the record.
To catch the one beat.
Over a beat sounds like this here.
One, two, three, four.
This is it.
I hope you got it, tried to play it, tried
to create some new variations and yeah,
just to summarize, we have now a drum
sequence and two so called chords.
We have finished our rhythmic fundamental
to play over the single voices.
Let's start now with the guitar pattern.