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Skratch Lessons: Drumming 3.3

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okay as you could see, there are lots of
strategies possible to design only the
first quarter by using a HbS combo.
Now, I wanna show you some methods to
design the remaining parts of a beat
in a four quarter time signature.
For the purpose of demonstration, we shall
work now only.
With variation a, this was bass drum.
And then hihat bass drum snare, so yeah we
gonna generate some possible patterns by
the same audio sequence.
This is important.
It means the auto sequence is always.
Bass drum, pose, high hat bass drum,
snare, but I wanna show some possibilities
by displacing as a positioning
of the segments and then we generate some
new methods of playing strategies.
So variation 1.
The simplest form is to repeat the
arrangement on the 3 beat.
You could see this in the respective demo,
also when you look at the notation
So in order to train this pattern I will
present now a nice q a section.
Please try to play this pattern both on
the line fader and on the cross fader.
And concerning the record motion, by hand.
Or completely, as in release, yes?
Now we will go a little bit more in
And I will play the same pattern, bass
drum, pulse, high hat, bass drum, snare.
But the difference is that we don't start
on the three beat, but a 1-16th before.
That means.
When I play on the one and then the three
beat, it goes like this.
One, two, three, four, yes?
And now I play a 1-16th before the three
You can detect this displacement, when you
look at the notation indication.
So order hi hat bass drum hi hat bass drum
Is exactly the same.
But a 1-16th before the previous pattern,
Here's the demo of this.
So it sounds completely different from the
previous pattern in my opinion,
due to the rhythmical positioning of the
displaced order of segments.
Yet, it is therefore necessary to make an
additional pose,
before snare comes in on the four beat.
That means when you play.
There is a one16 pause before the 4 beat.
This is very important.
Now it's your turn, so we go over to the q
and a section, enjoy.
So okay, the next variation.
We display now the order once again, and
change the start again 1-8 before the
three beat.
As result of this displacement, now the Hi
hat sounds.
On the three beat, and it's followed in
direct succession by the bass drum.
Then we make a 1-8th rest and we play the
It goes like this.
So we start on the one, and the
conventional way.
[SOUND] And then.
We play a 1-8th, after two beats of kick
And then the order of our bass drum.
High hat bass drum snare arrangement.
So you can see this also the notation
indication, it means once again.
dum da da dum da da dum.
So, the demo is here.
And for purpose of self training,
we move now into the Q&A section.
So, what happens when we displace all that
once again by 1-16th?
You can hear it yourself right now.
So as you could see we play now as a bass
drum in direct succession.
Directly after the first snare or after
the two beat.
It means.
Yeah, [NOISE].
So, and this is not so easy at it seems.
Because you must move the record really
quick back, to the unision of the bass
drum right after the snare.
So try it [SOUND]
So, okay, it's much more comfortable for
beginners to train this sequence at first
at a really slow tempo,
the last Q&A section today should have to
master it
Okay, this is it.
I hope my considerations and tips, were
helpful to you.
As closing I want to say that it is also
possible to arrange the other
variations it means a variation B, C, D.
And the same way that we have done
variation A.
As you can see, a lot of playing styles
are possible, this is it for
now, bye bye, Alex.