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Skratch Lessons: Drumming 6.1

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[MUSIC]
Hi there.
This is Alex.
Welcome to another tutorial related to the
part drumming.
Today we gonna work with some material,
which consists of bass drum, hi hat,
snare, so
this instrument order is known as B.H.S.
and yeah,
due to the fact that we have involved now
additionally hi hat into the performance,
we can do many possible, many fantastic
variations.
So I hope you like it, in this tutorials
there are, some q and a's for you.
For self training, download of the sample
as possible as always.
And I wish you, fun.
Okay, to get a feeling of working with BHS
combo,
I would like to start with a really simple
pattern, played on the line fader.
So following demo, shows the practical
conversion.
The BHS combo is [SOUND]
This,
download this from the server and let's
go.
[MUSIC]
Okay, as you could see we start playing
the bass drum on the one beat.
And the record runs in the release mode,
till the high hat comes in.
[MUSIC]
This is the first step, yes?
Then after this we silence the sound.
So line fader, goes down, and we move in
direct succession.
The record back to the start point of the
bass drum and now,
we let the entire sample play.
[SOUND] So that bass drum, hi-hat, and
snare sounds, come subsequently.
[MUSIC]
It goes like this here.
[SOUND]
Important is
that you play the hi-hat at the first,
movement like this then you move the
record back really quick and.
[MUSIC]
So
it's absolutely necessary, that the
practical conversion,
of the pattern is the same tempo, that the
B.H.S combo was originally recorded.
This is a requirement to keep in time by
playing the order of
the segments in its subsequently.
That means, the tempo is 80 bpm.
[SOUND] So like this hi hat here.
[SOUND] So and when you play it,
subsequently,
[SOUND]
Try it.
[MUSIC]
So and
now we play the same, in shape of a Q and
A section.
[MUSIC]
One, two, three, four.
[MUSIC]
So okay, this is not so easy.
Because the backward stroke, must be
executed really fast to
ensure that we can, place the bass drum on
the correct, rhythmical position.
So after we have played the snare on the
two beat, yes, like.
[SOUND] We silence the sound and move the
record back,
to the start point once again, and play
the bass drum plus hi hat on the two and.
Yes?
I will, I'm gonna demonstrate this.
[SOUND]
Yeah.
[MUSIC]
Once again.
[MUSIC]
So, one important point here
it's helpful If you position your record,
hand accordingly,
by playing near the hanger of the record,
here, like this, in this area.
To shorten the way, from moving back the
record, to arrive the start point, yes?
That means, when you look at my hand, I
play only in this area, because,
the way back is much shorter than, I will
play in this position.
This is a, good tip I think.
[SOUND] So once again, this combo.
[SOUND]
So
after a 1/16th pause, we now play the bass
drum and
after this in direct succession the entire
sample.
That means.
[SOUND]
Okay, so this basically is the whole
sequence.
Please try to train this pattern as much
as possible before, moving to the next
ones, as the positions of the bass drum
applies for the following patents, too.
This is important, as you will see.
So it the closing off is now a little Q
and A.
With the whole sequence and let's go.
[MUSIC]