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Skratch Lessons: Drumming 6.2

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Okay, pattern two.
We are starting now with a demo to first
an impression of the following pattern.
Let's go.
Okay, as I said, it's basically similar to
the previous one, but now we incorporate
the crossfader and
cut every tone by alternating between the
transformer clicker and
the open close motion.
So the alternating would be like this.
So that means practically that the bass,
drum, and the high hat, is to be played in
the release mode.
So, and we cut the bass drum
by the transformer and as a following high
hat by open close motion.
So on this, it's alternating.
Due to this, the high hat sounds bigger.
Because when you play it all the time with
the transformer clicker,
it goes like this here.
And now.
The hi hat is bigger.
I think this is-
A cool method.
So and the first part of the quarter of
this pattern goes like this.
We play basically the same as the previous
one, but
now by incorporating the cross fader
So and this is not so easy because-
this is it try it A little Q&A for you.
So the next step is-
[SOUND], logically that we let the entire
sample play.
So after this we let the the record run.
And the snare comes in on the two beat.
Goes like this here.
back to the start point and
play it once again the subsequent order of
bass drum high hat [SOUND] ,.
So it means the entire sequence goes like
So hi hat
Q&A for
And once again.
So okay, don't forget we cut every tone by
alternating between transformer and open
close motion, yeah?
So, but you can also try to play the whole
pattern at first by a constant transformer
This maybe a little bit much easier.
Or by the tweeter.
Or by the two clicker.
I can play it.
We must ask DJ Qbert for this.
So, and after the last high hat, follow
the backward stroke.
[SOUND] Yeah, you remember?
after this high hat follows backward
stroke to the start point,
and now we play only the bass drum, one
time, and subsequently,
the whole order of bass drum, high hat and
snare, like this.
Boop, boop, ba, boop.
Boop, boop, ta, ta, chew.
So, and, okay, I try it, to play it.
First I slow down the tempo, it's better,
better for for demonstration I think.
So once again, from the beginning.
Boom, boom, boom.
Boom, boom, boom.
Boom, boom, boom.
So, when we incorporate this addition of
bass drum into our performance,
it's helpful to cut this motion by the
transformer clicker, or
through release alternating between
transforming and open close motion,
this is still a helpful method to execute
this performance.
So, okay.
Let's try it.
I'm gonna play now a little Q&A for
you, slow down the tempo, and then you can
raise up this step by step.
So, [NOISE] okay.
And yeah, otherwise the closing is quite
So after the snare, we move the record
back to the start point.
Until we arrive so your initial notes are
based drum and
we are ready now to repeat the whole
So okay, from the beginning.
So now we raise up the tempo.
Okay, the tempo is getting higher and
Okay, and I think this is it.