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Skratch Lessons: Skratch Techniques 6.3

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So okay, now the four two group.
This code means that all record motions
the second one are played in the forward
Accordance to the code, this must be
played as a backward motion.
So the order goes like this.
Note [SOUND], e tone [SOUND], note.
note So to ensure a repeatable pattern we
execute the practical conversion similar
to the preview sequence.
So that means at first we start inside the
That's the reason why you see.
And the notation and the indication are
Note at first, [SOUND], so we start inside
a fresh, and play a note.
[SOUND] ,.
Then we move the record back in a high
motion intensity [SOUND],
to the start point of the sample.
And after this two notes in a lower motion
follows to arrive in it's start point of
the whole practical conversion.
So, once again, a note inside the tone,
then a e tone to the start point high
motion intensity and
than [SOUND] to the need to happen Okay?
This is the practical conversion.
Okay, first try to play it in regular mode
after that, go into this Q&A section.
So, okay, now the four, two, three group.
This is another pattern where we start
playing inside the sound.
So it goes like this we play note,
e tone, e tone, note.
Or in other words, forward, backward,
backward, forward.
So this is it.
As you see, it's not necessary to change
the pitch of the record.
Due to the fact that we start playing
inside the sound, we need to start
the whole sequence from the initial point
of our practical conversion.
[SOUND], then back, then to the start
point [SOUND], of the sound.
And the last [SOUND], brings us to the
start point of the practical conversion.
Okay, Q &A for you.
So based on my definition of record
motions, or groups of record motions with
four single steps.
Basically we need also variation for
the [NOISE] four times forward group, so
we play four notes.
the other variation would be like this,
forward, backward, forward, backward.
Yeah, this is a baby scratch played two
So but I, don't wanna show this in this
tutorial because
the sequences are the basis of another
content, okay?
This is also very interesting.
So and that means this is it for now.
In one of the next tutorials I will show
you some methods to
incorporate different types of cross
rhythm motions on these performances.
Believe me you will able to derive many
fantastic scratch pad sound from it and
advance your repertoire.
So, a method is when you play basically
Or the sequences with the cross fader,
transformer clicker, for example,
but it's also possible to include the
three click flare,
four click, five click, blah, blah, blah,
blah, blah.
So okay, this is it.
Bye for now, Alex.