Okay, now we came to the next tip.
In order to advance this playing style of
try to play some additional notes between
the doubling, or with other words.
Trying to double the slinger, singer
[SOUND] I mean when you play.
Co come like
come like co come like come like come like
yeah [NOISE] when you play it over beat.
You can do it with the come or come mic or
with the like yeah?
The first task, is in this case to double
the first syllable [NOISE] So
and, yeah, when you play it subsequently,
it goes like this here over beat.
So and you can try to actually creates
It means you play, a one time come, then
come like, come like,
then with a come, come like, come like,
And try to, you know, create different
patterns with this, style.
So the next variation goes by doubling the
I will demonstrate, or I'm gonna
demonstrate this right now.
And the last step is to mix all the
pattern we have spoken, about yeah.
Also, like I said in the first or in the
Try to play it, through the sample.
[SOUND] So a little demo.
Create some new variations and yeah.
This is it.
So at next as you saw maybe in the demo I
[SOUND] Try to involve some or try to
improve my word cuts by
setting some pauses between the syllables.
Try to set some pauses between the
on different rhythmic positions.
This is a, really comfortable tip tool
improve your work and performance.
So, because this gives your performance a
little bit of breathing yeah?
And this is also very dope I think.
Here are some variations for you.
So and here an additional tip for
the steps, try to play some [SOUND]
This would be like this here.
And then mix all these.
it's also some of the scratch variations,
For example, to click over.
So, when you mix all
now we came to the closing off and that
means in order to create a whole phrase
by using the different method, I had
mentioned it before,
it's very important to constitute the
position of the sample when you play it.
Or when you play the entire sample.
At once, yeah?
Let's say for example the whole phrase is
two bars long and now I will show you
a variation and this variation goes like
this, two bars.
And on the third beat of the two bar, I
let the entire sample play.
So this is my constitution, for my phrase
to create a repeatable routine, yeah?
So it is important.
So, that means two bars.
Goes like this.
This is one, two, three, four, one,
two come like a guillotine One, two,
one, two, come like a guillotine.
So, this is my constitution.
So, and now, it's possible to [SOUND]
Play, some freestyle.
With this method, I have mentioned it
before, but important is the constitution,
of the third beat inside the second bar,
Goes like this.
So I turn one, two, three
Yeah, this is important.
You can play as you like it.
But important is, try to stay at the
on the third beat in the second bar.
Then you must let the entire sample play.
And all the listeners recognize, oh man,
this is, the refrainer or
something like that Okay.
Okay just certain rythmical position.
You can change this also.
You can try to play the pattern now two
bars long and
you Plays an entire sampler on the four
It will be like this.
One, two, three, four.
Yeah, different variations.
It's also tricky when you start, [SOUND]
A one-sixteenth before the one beat.
Just like this.
Come like a guillotine,
come like a guillotine.
Come like a guillotine.
Come like a guillotine, yeah?
Now, the accent was like on the one beat,
thanks to this method, you can freestyle
with the sample as you want for
as long as you retain the closing often.
This is a rhythm position of the whole
So as you already know there are lots of
rhythmical position within the bar,
possible to create the closing off, so
it's your turn.
To try them out and send me some video
So, to ensure a really unique word cut
it's also cool to dig out some rap
There are thousands of ways to be
Enjoy trying them out and.
Hope you see us in the next tutorial.