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Skratch Lessons: Several Players 7.2

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So, my friends, let's get it on.
The, e piano sample, which I using for
playing today,
is taken from the better tool Drunken
Master Breaks by DJ Die$$.
This is one of my favorite better tools.
It includes.
Many sounds from traditional instruments,
so and let's hear what's all about.
It starts with a bass tone [SOUND] And
then follows the melody
Which is played on an e-piano.
So really nice, really smooth.
So, and
a good friend of mine have prepared also a
beat for this lesson,
as well, so that we can play on the
complete routine.
So it's a beat.
Goes like this here.
[SOUND] It's a drum scratching
And we can play.
So, it's a real smooth track for you.
And, okay, we start with the base pattern.
So, I'm gonna show you how to play a
pattern with the first tone of
the entire sample.
[SOUND] There's a bass tone.
So, and we can see now on the screen.
Or no, what, it's very important is the
pitch of this tempo.
[SOUND] To be in accordance with the tune
of this guitar here, it's head to beat, we
must slow down the tempo a little bit.
Two minus, minus 5%, I think or 6%.
So this is important.
The bass pattern.
Priory to that, I have to say, that this
pattern may be really simple for
many of you guys.
But however to play it in a groovy way,
[SOUND] It's not so
easy as it seems, yeah?
[SOUND] I'm gonna demonstrate this now.
And it's go.
And this little notes are important, and
it's also important, to produce always.
A big tone.
Okay not so [SOUND] Not so sharp, not so
little tones.
It must be, sound really big.
And the groove is important.
You must go into the groove.
You must, feel it.
You are a base player right now.
So okay.
How it works?
So we start playing the sample.
[SOUND] As a quaver On the one beat in the
release mode.
[SOUND] Yeah?
After it, an 1/8th pause follows and
we must move the record back to the start
point, in this time right here.
On the two beat we let the sample play as
in release and
then we must move the record back in a
slower motion intensity as in 1/8th.
[SOUND] So like this.
This is the first step.
Yeah, really simple.
So after this, after this [SOUND] 1/8,
slower motion intensity backward motion.
For us at 116 also as a release, and
this sounds on, yeah.
Let's see, the way it sounds.
This is [SOUND]
So, concerning the cross fader motion,
it's important to mention that we cut
every record motion, but
the first one in a given time value for
one sixteen.
Yeah, this is one eight here.
And then.
I play the reverse transformer clicker,
That is normal transformer in comparison
to the usual transformer clicker,
we now obtain a much bigger sound by
playing this tech, technique.
As you can hopefully remember,
we have already discussed this topic in a
tutorial related to the part drumming.
I think this was, yeah, the first
tutorial, actually.
So, okay, and the next step after this
This a pause with silence the sound with
the cross fader to a one-sixteenth time
waver And after this we move the record,
[SOUND] Back to the start point and
with high motion intensity and direct
succession we play it now.
Two one-sixteen release [SOUND]
Like this and,
this is like the bubble taps, but we cut
And then.
[SOUND] we move the record back, yeah?
Once again.
One, two, three, four.
This is the first part, and then the
second and two, three, four.
And this
[SOUND] This is bubble tap Bup bup.
And this is the closing of this.
This is a simple backwards drop to the
stop point.
That must be executed in a higher pitch as
you could here.
This is a very important trademark.
Because we repeat in the following bar the
entire sink sequence again.
But what we slightly change here is the
closing of the others backward
stroke by playing it now in a slower
motion intensity.
Okay, I'm going to play the entire
sequence for you now.
Three four
So yeah.
And like I said in the beginning once
again, I re-comment you
to try the pattern in a groovy way though
that everybody can sounds large.
Yeah you must feel the groove.
Without noticing, you are become a bass
player now.