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Skratch Lessons: Music Theory 4.1

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So what's up everybody.
This is Alex.
Welcome to the fourth tutorial related to
the part Music Theory.
So after we have learned in the previous
tutorial the basics of single movements,
or anti grime movements on the record.
We take now groups.
So generally,
this groups are building blocks of more
comprehensive scratch patterns.
Yeah, the means beside the tap variations,
or the clover cares we learned,
now some methods, some new possibilities
to group record motion.
Based on music theory,
based on the transcription, methodology of
the s-notation.
And yeah, I wish you fun, and I hope you
like it, bye bye.
So okay, when any hand motion is performed
using more than one record motion.
For example, [NOISE] only a note [NOISE]
or only a note, so
then it's called a group.
We know already one form in terms of
the s-notation, and these are integral
movement called noted tone.
[SOUND] Or rather, e-tone nodal.
So for example, while performing an
one-eighth note to tone or e-tone nodal,
consists of two single movements within a
one-sixteenth duration each.
So we see now on the screen,
the decoding of an integral movement into
the respective single movements.
The first two single movements, note and
e-tone, are beamed.
You can see that is, in the notation
And as we learned in the previous
the number of beams depends on the
In this case the duration is two times and
1 16th.
and due the fact that both single
movements have the same duration or pitch,
it's possible to simplify the notation by
using the symbol of note to tone.
As we have learned in the previous
So that means we're based on the left
notation indication,
so I want to play a 1 8th note to tone.
That means you can count.
One, two, three, four, and one, two,
three, four, five, six, seven, eight.
Yes, this is a 1 8th note to tone, and
this note to tone consists of a 1 16th
note, and then the 1 16th e-tones.
The same applies for the e-tonotor that
consist of 1 16th [SOUND] e-tone and
the 1 16th [SOUND] note.
So I think this is clear.
So in case the single movements, the
single subsequent
movements [SOUND] wouldn't have the
identical duration or pitch.
We must write down each single movements
and cannot simplify this by one symbol of
an anti-Grier movement.
You can see such a pattern on the screen
right now.
And, yeah, on the left you can detect
that the duration of both single movements
is not the same replay.
In this case, that first one.
[SOUND] A semi-quaver, and the second, is
the 1 16th.
Once again the left notation indication,
at first the 1 8th.
Look at the distance here and then the 1
So it's very big, it's only half as, long
okay it's the same, applies for either
note at first a 1 8th.
[NOISE] That means, [NOISE] and then a 1
So the distance is only half as long,
And in this due to this inequality, we
can't use the symbol of
note to tone or eton note, so we must
write the single movements.
This is very important.
So in this example the duration is not the
same as well.
Look at the notation indications.
The first record motion must be played in
a 1 16th time value.
[SOUND] Yeah.
The distance is short, and the
subsequently stroke in a slower
motion intensity is twice as long as the
previous one.
[SOUND] Like this one.
So at first, 1 16th, and then [SOUND]
We must move the back,
but in a slower motion intensity.
It's the same for the left notation
So it means at first a 1 16th.
And then a 1 8th.
But in a slower motion intensity.
So here is another type of group which
consists of two record motion.
Keep in mind we have learned already, one
beam indicates that every
record motion has a duration of an 1 8th,
and we must play it as follows.
So for the left [NOISE] we see [NOISE] two
notes in a duration
of the 1 8th, and that means [NOISE].
Then we must tear this.
[SOUND] And play at first note.
1 8th and then [SOUND] another note,
also in 1 8th.
So when we look at the right notation
indication we see two E tones.
Also an iteration of 1 8th and
that means we play it first [NOISE] 1 8th,
and then [NOISE] 1 8th.
The distance is also equal.
This is important.
Also, the pitch is equal because of the
position of their respective symbols.
So, for comparison, when there are two
beams drawn,
every record motion has a duration of
1/16, and
we must play it like this [NOISE].
So and so, like this [NOISE].
Very short, yes?
[SOUND] Once again [SOUND] [SOUND] 1 16th.
[SOUND] So for comparison 1 8th [SOUND]
It's much longer.
[SOUND] And now we play.
[SOUND] Okay?
So the same applies for the E tone for
the right notation indication [SOUND] it
[SOUND] Really short.
You know, 1 16th.
For comparison [SOUND] 1 8th would be like
And now we play 1 16th.
So now I have combined the time values of
the previous example
as one comprehensive group of five record
motion, in total.
You can see this on the screen.
This pattern must be played like this.
At first, there's a 1 8th note,
then two 1 16th,
and another 1 8th.
For repeating, at first, 1 8th.
Then 1 16th two times, and another 1 8th.
So in the left notation location one,
all symbols are beamed with each others.
But that's not the correct form of
Because, as we already know from the
second tutorial,
we can only beam the symbols in a total
value of a quarter.
So that means that the groups which are
played longer as a total value of
a quarter must be written down apart
as you can see in the notational.
Indication on the right side.
So, and this is a very important graphical
rule of every time of music notation.
So for your training on this, within the
next example,
I'm going to present the wrong,
always on the left, and the correct
notation indication.