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Skratch Lessons: Music Theory 5.4

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X
X
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[MUSIC]
So okay, another little exercise for
training purposes I going to display some
additional notations,
and after a while I will present the
solution.
So and here we go, we can explain this
together.
We start with the first notation
indications.
Okay, what we have here?
We see two note to tones, yeah?
So the first noted tone, is under the
center line and the under the center line,
yeah, and the second also under the
center, line but
a little bit higher so, so it means for
the practical conversion.
[SOUND] We start with the first note to
tone, in the slower motion intensity.
[SOUND] And the second,
also in the slower motion intensity
[SOUND] but a little bit higher.
Okay?
So, subsequently,.
[SOUND]
It's like slower baby scratch,
and then another slower baby scratch.
Yeah?
So now, this is important, the cross fader
performance.
We see over the first note to tone, the
symbolic for the close open motion.
Yeah?
x is for close open so, so
it means we play the first note to tone in
combination with the close open,
that means [SOUND] Note closing, [SOUND]
Opened for the E tone.
So this next note, to tone is played
exactly in the same way, but
in a higher pitch [SOUND] Because the
symbolic of the cross-fader performance,
applies also for the following record
motion.
Yeah?
This is the autographical rule, okay,
once again the performance.
[SOUND]
Over beat.
[MUSIC]
So, basically very simple.
Okay, now we came to the second notation
indication, and
this is quite interesting, because we play
the record motion in the release,
but we see a slur which connects all this
round note heads, and
that means we play it subsequently, in a
chronological order, like the bubble taps.
[SOUND] Yeah?
[SOUND]
So and now,
we combine this with the cross fader
performances.
The first one eight released note, must be
combined with the closed open motion.
We see the respective symbol over the
staff, so and
that means we play the first one, eight
released.
[SOUND] Like this, once again.
[SOUND] So, we close open and [SOUND] Play
it like this,
so now as you can see in the notation
indication there is another symbol above
the staff ,next to the closing open sign,
so and here's the definition.
Just in case you want to cut only the
first record motion,
by a close open motion.
And the following motions, should be
played without any cut on the cross-fader,
you need an additional symbol to indicate
this.
So, and this specific symbol this the
chord natural, or
with other words release character, and
it's indicated by a shape of a vertical
beam, which must be written down next to
the symbol of the close-open motion.
So that means, for
example when there is no natural or
release character like this here.
We must play all these release notes,
in combination with the close open motions
that means.
The first [SOUND], the second and
yeah [SOUND]
So,
but now we see this natural, this
additional symbol,
after the close open motion, and now we
play only the first record motion.
[SOUND] In combination.
[SOUND] With the closed open.
[SOUND] So when this symbol applies for
basically all, all the for the, for the
groups symbols.
Which started with an open fader, and this
is really important.
So, okay now we can go to the next
notation indication,
we see the same type of record motion,
this is once again
[SOUND] It's a release notes but played
subsequently.
[SOUND] So and now the open close motion.
Yeah?
We see the circle, the symbol for
the open close motion, and now logically
will play all this release note.
[SOUND]
With the open close.
[SOUND]
So, I think this is clear.
So, and, yeah, this is it basically.
In an additional tutorial and an
additional lesson.
I would like to present you some exercises
yeah and this is it for now.
We go in more detail of course, and
take a groups of cross fader performance,
and stay tuned, Alex.
[MUSIC]