about everything we've done thus far has
been in G tuning,
which is home territory for a bluegrass
There were a couple things in drop C
tuning, with the fourth string down to C.
But another really important tuning,
even though it's not used that much is D
And for D tuning there are a couple of
different ways, of doing it,
but right now I wanna talk about one in
First string D [SOUND] It's a D note, you
wanna keep that cuz it's a D tuning.
And again when you strum the chord when
we're done it'll be an open D-chord.
So the second string,
which is usually tuned to B in G tuning
we're gonna tune down a whole step.
To a B note,
I'm sorry to an A note, from B down to A.
Down a whole step.
the third string will go from G down a
half step to F-sharp.
The fourth string will stay.
As you might expect on D.
Fifth string will go from G down a half
Dow to F-sharp, so.
I'm going to tune it back up to G
Now as we're doing this, we have the first
string, we want to tune the second string
down a half, down a whole step.
From B down to A.
you wanna compare that with the third
string, for instance,
if you don't have a tuner and wanna
Get a better sense of how to do that,
fret the second fret of the third string
And that should be the,
that should coincide with the open second
And then you want to hit the fourth fret
of the fourth string
And that third string.
We'll go down to G,
down to F-sharp which should be the same
as the fourth fret of the fourth string.
[SOUND] And the fifth string [SOUND]
Should go down a half step.
It should be the same as the fourth fret
of the first string.
is not completely an exact science, but
it'll get you in the ballpark.
Okay, now you're in D tuning.
Okay, now we're in D tuning, and
once you're in D tuning, you already know
a whole bunch of tunes,
though you may not think so.
But the fact is that.
If you can play something in G tuning,
you can play it in D tuning by moving it
over one string.
For instance, Cripple Creek,
if you play it the way you would on the
It's not quite there.
If you move it over one string and
slide up two to five on the second string
instead of the first string.
And then instead of playing what you
would, what would be a C chord in G tuning
I kind of like the sound of that, but
it's not to everyone's liking.
So, if you move it over one string
That's a G chord which is
relatively the same.
When you're going from D to G, it's the
same as going from G to C.
So the fourth, it's the number four chord,
or the chord built off the fourth note of
instead of sliding two to three
on the third string, you can slide two to
three on the fourth string.
And then you've gotta futz it a little
So you can do all of Cripple Creek, just
moving it over a string.
Or Old Joe Clark.
Instead of going.
just move it over a string.
Or John Hardy instead.
Well you could say
you'd written a new tune.
But, move it over a string.
Okay, anyway, just, that's just is a
little precursor here.
Now the first chord I want to talk about
is an A-seventh chord, which you can do,
it's like if you take your D-seventh, I'm
just talking about this right now.
Move everything over one string.
Instead, instead of having your D-seventh
position being on the second and
second and third strings, move it over to
the third and fourth strings.
And that's an A-seventh.
In other words,
in G the D seventh chord is based on the
fifth note of the G scale D.
In the key of D, the fifth note of the
scale is A, and
you build an A chord off that.
And that's how you get it.
Just move it over, move your D seventh
position one string.
if you wanna play a fuller version of it,
Add the second fret of the first string,
because since these are both G notes.
An octave apart on the first and
Whenever you're fretting on the fourth
string it's safe to fret it on
the first string.
in the case of well, talk about that in a
There's a little, just a little exercise,
a little tiny etude.
Now that we've got those chords down, that
I want to have you play through just
to get you used to rolling around in, in
the key of D, in D tuning.
So, here we go.
All right, so it's basically it's kind of
a Don Reno thing where he would do things
like this without hitting the fifth string
In this case only on the very last pinch
of the whole thing.
He's playing two forward rolls.
I mean this isn't Don Reno, but this is
what he would do and
that's where I got this from.
Forward, forward and then two notes.
Forward, forward, two notes.
And a partial kind of alternating thumb
So, once more.