Music theory and the number system

Thu, 04/14/2016 - 10:29am
Written by Andy Hall

Hello my reso friends. With this blog I’d like to talk about the topic of the number system. Some of you may have heard about this, and I’ve done some here and there to describe it. What I’ve noticed is that with music theory type stuff, it takes a lot of repetition over time and from different angles for things to sink in. So let’s use this as an opportunity to push the bar forward a little on our knowledge of theory, and more specifically, the number system. It’s a pretty useful and widely used way to refer to notes or chords, and help musicians communicate.

 

Dobro Update from Andy Hall

Mon, 06/08/2015 - 4:38pm
Written by Andy Hall

beard dobro in maple red

It’s blog time again! I don’t consider myself a great blog writer, but it is fun to riff about different dobro topics. I thought seeing as I just got a new dobro from Beard Guitars I’d talk a little bit about tone. Obviously there’s a lot that goes into getting “good” tone. Technique and how you finesse the instrument being the most important. But here we’re going to talk about picks, wood, and things you can change to get certain tones.

Lap Steel Guitar vs. Dobro: What are the Differences?

Tue, 05/19/2015 - 5:47pm
Written by ArtistWorks

Andy Hall was in the ArtistWorks studios recently recording a new section for his online students on lap steel guitar. One of the first lessons he recorded was on comparing the differences between playing Dobro and lap steel guitar. As you'll see, they relate quite a bit but there are some key differences and similarities. As Andy explains, some music lends itself better to playing lap steel vs. Dobro.

Andy Hall on Dobro Legend Tut Taylor

Wed, 04/15/2015 - 10:31am
Written by ArtistWorks

tut taylor with dobro

We are sorry to hear of the loss of Tut Taylor, who was known as the "flatpicking Dobro man." He was an influential player on ArtistWorks Dobro instructor Andy Hall who has written a nice tribute:

"A little note about Tut Taylor, the flatpicking Dobro man. I was saddened to hear of Tut’s passing the other day, and it brought back a flood of memories. Tut was the first hero Dobro player of mine that I ever met. It was at Winterhawk bluegrass festival which went on to become Grey Fox. He was giving a very informal Dobro workshop with Pete Reischwein if I remember correctly. I sat right next to Tut on the ground and listened to him play. I was very familiar with his playing from Aereoplane and from Norman Blake records. We all know that feeling of being close to a player you’ve heard and look up to for the first time. At one point I walked with him up to his camper and we sat and talked and picked a bit. Incidentally that was also the first time I ever went to bluegrass festival. He was always welcoming and for a young player that so huge. So inspiring. As far as his playing, I think using a flatpick made his style so clear and un-cluttered. It was simple but powerful and really stood out. His sound is forever woven into the fabric of some of the most influential bluegrass music ever made. So grateful for you Tut!"  - Andy Hall